{"title":"Impresiones con marco","description":"\u003cp\u003ePósters enmarcados listos para colgar. Animal Kinhood · Yago Partal Studio.\u003c\/p\u003e","products":[{"product_id":"mansa-elefante-africano-de-sabana-poster-mate-enmarcado-marco-practico","title":"Mansa · African bush elephant · Framed poster","description":"\u003cdiv class=\"product-short-desc\"\u003e\u003cp\u003eDo you know Mansa's pink sweater, the one with the embroidered daisies? Keitumetse took years to finish it. The last daisy was sewn by Mansa, crooked, bottom left. This framed poster arrives ready to hang.\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- LONG_DESC --\u003e\n\u003cp\u003eThis framed poster of Mansa shows an eight-year-old African bush elephant in a knitted pink sweater with a story behind every daisy. It arrives with a frame, ready to hang — no hunting for a framer, no measuring glass, no hassle. Take it out of the box, put it on the wall.\u003c\/p\u003e\n\u003cp\u003eThe pink sweater Mansa wears in the portrait isn't a shop-bought piece. Keitumetse — her mother, a seamstress at a textile cooperative in Maun, Botswana — started knitting it during her pregnancy. Pastel pink wool, thick knit, round neck. She ran out of yarn halfway through and put it in a drawer. Seven years later, she found yarn in the same shade at a shop in Nata — three hours by road — and finished it over three months, knitting at night after putting Mansa to bed.\u003c\/p\u003e\n\u003cp\u003eShe embroidered the daisies on top: white petals, yellow center, like the gazanias that burst up in the Kalahari after the first rains. When she gave it to Mansa — a Saturday in June, unwrapped, no ceremony — Mansa looked at every daisy, touched an uneven stitch on the left collar where Keitumetse had changed needles seven years earlier, and asked: \"Can I sew one?\"\u003c\/p\u003e\n\u003cp\u003eThe last daisy, bottom left, is slightly crooked. Mansa sewed it. It's her favorite.\u003c\/p\u003e\n\u003cp\u003eShe wears it even when it's forty degrees in December. If anyone tries to take it for washing, she negotiates timelines. There's an obvious explanation — it's clothing — and a less obvious one: it's tangible proof that someone sat up nights making something for her. In the portrait, that sweater is the center of the image. Pastel pink against gray skin. Daisies scattered unevenly, with that imperfection that marks something handmade. And if you look bottom left, there's Mansa's daisy. Crooked. Perfect.\u003c\/p\u003e\n\u003cp\u003e[Mansa's biography](https:\/\/www.yagopartal.com\/animal-kinhood\/mansa\/) has more about Keitumetse, the cooperative, the Boseja neighborhood, and daily life in Maun. The sweater is just one thread — one of many.\u003c\/p\u003e\n\u003cp\u003eMaun doesn't appear on postcards. It's the gateway to the Okavango Delta, but for the people who live there it's something else: unpaved streets, dry heat, red dust that gets into everything, free-roaming chickens, trucks on the Nata road from five in the morning. On the outskirts, elephants cross roads and break garden fences. The houses in the Boseja neighborhood are cement blocks with corrugated metal roofs and dirt yards. The Thamalakane river is ten minutes away on foot. The sky, when there are no clouds, has that dry savanna blue that seems to never end.\u003c\/p\u003e\n\u003cp\u003eThat landscape is in the portrait even if it isn't literally visible. It's in the tones — the pink against a background that suggests earth and natural light — and in Mansa's expression, which carries that attentive calm of someone who grew up observing before speaking. A framed poster on a wall in London, Toronto, or Sydney brings that fragment of Botswana into a space that doesn't normally hold it. And that presence changes the wall.\u003c\/p\u003e\n\u003cp\u003eThe frame protects the print and gives it a finished look. Take it out of the box, hang it, done. If you have a narrow hallway or a gap above a piece of furniture, smaller formats work best. In living rooms or on wide walls, larger sizes let you see the sweater embroidery detail and the skin texture.\u003c\/p\u003e\n\u003cp\u003eUnsure about the measurements? **Print sizes** has all the options. **Frame and mounting** shows the frame details. And **Paper and finish** covers the paper information — matte finish, stable colors, no surface sheen.\u003c\/p\u003e\n\u003cp\u003eA common question: does it work as a gift? Yes. It arrives protected, with frame, no additional framing needed. You don't have to add anything. Whether the recipient already knows Mansa — or is encountering an Animal Kinhood character for the first time — the portrait stands on its own. The pink sweater, the expression, the daisies: it's all there without needing prior explanation. **Shipping and returns** has the timelines and process if you need to plan dates.\u003c\/p\u003e","brand":"Yago Partal Studio","offers":[{"title":"Black \/ 12″×12″","offer_id":57664882016581,"sku":"5591708_4653","price":68.0,"currency_code":"EUR","in_stock":true},{"title":"Black \/ 18″×18″","offer_id":57664882049349,"sku":"5591708_4656","price":89.0,"currency_code":"EUR","in_stock":true},{"title":"Red Oak \/ 12″×12″","offer_id":57664882082117,"sku":"5591708_15024","price":68.0,"currency_code":"EUR","in_stock":true},{"title":"Red Oak \/ 18″×18″","offer_id":57664882114885,"sku":"5591708_15030","price":89.0,"currency_code":"EUR","in_stock":true},{"title":"White \/ 12″×12″","offer_id":57664882147653,"sku":"5591708_10756","price":68.0,"currency_code":"EUR","in_stock":true},{"title":"White \/ 18″×18″","offer_id":57664882180421,"sku":"5591708_10759","price":89.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1052\/7830\/8677\/files\/mansa_ak-frame-000.webp?v=1776696844"},{"product_id":"nayna-guepardo-poster-mate-enmarcado-marco-practico","title":"Nayna · Cheetah · Framed poster","description":"\u003cdiv class=\"product-short-desc\"\u003e\u003cp\u003eThe black markings that run from a cheetah's eyes are not decorative: they channel sunlight and reduce glare during the hunt. In Nayna, motorcycle mechanic in Nairobi, those same lines make her look focused even when she's resting. This framed poster captures that exact look, ready to hang.\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- LONG_DESC --\u003e\n\u003cp\u003eThis framed poster of Nayna, the cheetah, arrives with frame and ready to hang. You don't need to find a frame separately, visit a framing shop, or measure anything other than the wall. You take it out, hang it up, done.\u003c\/p\u003e\n\u003cp\u003eNow look at the face.\u003c\/p\u003e\n\u003cp\u003e## The markings\u003c\/p\u003e\n\u003cp\u003eThe black lines that run from Nayna's eyes down to her jaw are called tear marks. In a cheetah, those markings have a real function: they reduce glare from the sun during a hunt, channeling light like a kind of war paint that evolution has spent millions of years refining. They're why a cheetah can chase a gazelle at 100 km\/h while looking straight ahead without the sun closing its eyes.\u003c\/p\u003e\n\u003cp\u003eIn Nayna, those lines do something else. People who don't know her think she's sad. Or angry. Or that she slept badly. It's the face she makes when she looks at an engine before touching it. The face she makes when she hears the sound of a clutch and already knows what's wrong before opening the casing. It's the face of someone processing information, not feeling grief. But the markings don't help: they trace a path from eyes to chin that on a human we'd read as a tear.\u003c\/p\u003e\n\u003cp\u003eMwangi, her 19-year-old apprentice, took three months to stop asking if she was okay. Now he knows the difference: when Nayna is focused, her eyes are still and her hands move on their own. When something is genuinely wrong, her voice drops. Not rises. Drops. And her hands stop. Mama Amina, from the chai stall three doors down from the workshop, saw it before anyone else: \"That girl isn't sad. She's counting parts on the inside.\"\u003c\/p\u003e\n\u003cp\u003eFirst-time customers at the workshop sometimes hesitate. They see the face, the markings, and don't know if they've caught a bad moment. The boda-boda riders who know her — the motorcycle taxi drivers who bring their broken Honda 125s three times a month — don't notice anymore. They know that's her normal face. The diagnostic face. The face that comes before the dry, quick tongue click she makes just before saying what's wrong with the engine.\u003c\/p\u003e\n\u003cp\u003eIn the portrait, Nayna is at rest. She's not working, not diagnosing, not listening to any engine. But the tear marks are still there, and the expression is the same one she has at four in the afternoon in the Lunga Lunga Road workshop when the light is coming through the door and she has a part between her fingers deciding whether it can be saved or needs to be made from scratch. Black biker jacket from Gikomba, red bandana from Wanjiku, crown of fresh flowers from Wakulima market. And that face that looks sad but is just attention.\u003c\/p\u003e\n\u003cp\u003eThat's what you hang.\u003c\/p\u003e\n\u003cp\u003e## Framed\u003c\/p\u003e\n\u003cp\u003eThe practical advantage of the framing is that you don't need to make any more decisions after buying it. No visit to the frame shop, no choice of molding, no \"come back in ten days.\" It arrives mounted. The print is matte — no reflections, no glare competing with the image. The frame is plain and functional: it's meant to make you look at the portrait, not the molding.\u003c\/p\u003e\n\u003cp\u003eIf you're choosing between the [unframed poster](https:\/\/www.yagopartal.com\/animal-kinhood\/nayna\/) and this one, the real difference is the intermediate step. The unframed poster gives you flexibility: you frame it yourself, choose the molding, decide on the glass. The framed version removes all of that. If you have a wall waiting and don't want the hassle, this is the short route.\u003c\/p\u003e\n\u003cp\u003eAvailable sizes are in **Print sizes**. If you want to know what kind of paper is used and how it's mounted inside the frame, that's in **Paper and finish** and **Frame and mounting**. For delivery timelines and returns policy: **Shipping and returns**. Made to order, so each piece is assembled when you order it.\u003c\/p\u003e\n\u003cp\u003eThere's more about Nayna than fits in a product listing. Why she buys flowers every morning before opening the workshop. What happened with the 3,000-shilling wrench that Kamau unfairly deducted. Why there's a 1985 Yamaha SR400 dismantled in the back of the workshop that she hasn't touched in weeks. [The whole story is in her biography](https:\/\/www.yagopartal.com\/animal-kinhood\/nayna\/). What you have here is the face: the tear marks, the jacket, the flowers. And a wall that now has something to look at.\u003c\/p\u003e","brand":"Yago Partal Studio","offers":[{"title":"Black \/ 12″×12″","offer_id":57664967606597,"sku":"8609556_4653","price":68.0,"currency_code":"EUR","in_stock":true},{"title":"Black \/ 18″×18″","offer_id":57664967639365,"sku":"8609556_4656","price":89.0,"currency_code":"EUR","in_stock":true},{"title":"Red Oak \/ 12″×12″","offer_id":57664967672133,"sku":"8609556_15024","price":68.0,"currency_code":"EUR","in_stock":true},{"title":"Red Oak \/ 18″×18″","offer_id":57664967704901,"sku":"8609556_15030","price":89.0,"currency_code":"EUR","in_stock":true},{"title":"White \/ 12″×12″","offer_id":57664967737669,"sku":"8609556_10756","price":68.0,"currency_code":"EUR","in_stock":true},{"title":"White \/ 18″×18″","offer_id":57664967770437,"sku":"8609556_10759","price":89.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1052\/7830\/8677\/files\/nayna_ak-frame-000.webp?v=1776696998"},{"product_id":"fernando-toro-bravo-poster-enmarcado-marco-practico","title":"Fernando · Iberian bull · Framed poster","description":"\u003cdiv class=\"product-short-desc\"\u003e\u003cp\u003eA framed art print of Fernando, Iberian bull and artisan blacksmith in Trujillo. Matte finish, ready to hang. Made to order.\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- LONG_DESC --\u003e\n\u003cp\u003eThis framed poster of Fernando arrives with frame and ready to hang. Matte finish, no reflections, with the image printed on quality paper. What you see is the portrait of an adult Iberian bull in an open black vinyl jacket and a steel chain around the neck — hand-forged links, one by one, without a mold.\u003c\/p\u003e\n\u003cp\u003e## Fire and metal\u003c\/p\u003e\n\u003cp\u003eFernando works in a renovated stone building three kilometers from Trujillo. It was once a livestock barn, then a forge, and now it's workshop, home, and the place where he spends ninety percent of his life. The anvil in the building weighs a hundred and twenty kilos and carries the marks of three generations: his grandfather Eustaquio's, Fernando's own since he was fifteen, and whatever each new piece leaves on the surface as it passes over.\u003c\/p\u003e\n\u003cp\u003eThe forge was Eustaquio's. Fernando started going alone after losing him, to finish the pieces that had been left half-done. He knew where the hammer was and how to heat iron to the right temperature so it would bend without breaking. At eighteen he opened the workshop with his grandfather's tools. His first real commission came at twenty: two four-meter gates with holm-oak motifs for a renovated estate, found by an architect who tracked him down because a local cattle farmer said a phrase that still works as a reference.\u003c\/p\u003e\n\u003cp\u003eEvery piece starts from a pencil sketch on brown paper. He draws three versions before lighting the forge. \"I'll let you know\" is what he says when asked when it'll be ready. He might take two days to send a quote, because he needs to think. He makes decisions slowly.\u003c\/p\u003e\n\u003cp\u003e## The century-old anvil\u003c\/p\u003e\n\u003cp\u003eThe anvil's surface is marked by thousands of accumulated blows over decades. Each mark tells something — a gate for a wedding, a lock for a farmhouse, a hinge for a door that had been stuck for thirty years. Fernando hasn't polished it or replaced it. He uses it as it came to him, with the weight and the scars of everything that passed over it before him.\u003c\/p\u003e\n\u003cp\u003eThe workshop porch is reached by a dirt track off the Trujillo road. There's a hammock where Fernando takes a nap between half past two and half past four, without exception. View over the oak scrubland: scattered holm oaks, pastureland, dry-stone walls. The smell is wild rosemary, which grows at the workshop door, and coal when the forge is lit.\u003c\/p\u003e\n\u003cp\u003eFernando is an artisan blacksmith. He forges gates for oak-scrubland estates, locksmithing for farmhouses and tools no one makes anymore. What he looks for in his pieces is that they last. That someone uses them fifty years from now and they still work.\u003c\/p\u003e\n\u003cp\u003eA businessman proposed a few months ago that he industrialize his production: CNC machinery to replicate his designs in series. Fernando said \"I'll let you know.\" He hasn't called back. The answer was in the pause, and anyone who knows him would have read it without needing to wait.\u003c\/p\u003e\n\u003cp\u003e## A frame for the forge\u003c\/p\u003e\n\u003cp\u003eIf you're considering the [Fernando matte poster](https:\/\/www.yagopartal.com\/objects\/) but prefer something ready to hang, this format solves the question: it arrives with a frame, no need to find a framer or adapt it to measurements. Frame, protection and mount included. Frame color options and sizes in **Frame and mount** and **Print sizes**.\u003c\/p\u003e\n\u003cp\u003eIn a living room, a study or a hallway, the framed print works as a focal point without competing with everything else. The matte finish doesn't reflect light and lets the eye settle on the portrait: the black coat, the horns, the open jacket, the handmade chain.\u003c\/p\u003e\n\u003cp\u003e[Fernando's biography](https:\/\/www.yagopartal.com\/animal-kinhood\/fernando\/) has the full story: the coffees with Paco at the bar on the square, the old Nissan Patrol that goes down to the village to pick up orders, the Sunday meals of migas with paprika. Everything that doesn't fit in a product listing but that explains why this character has the look he has.\u003c\/p\u003e\n\u003cp\u003eMade to order. Production timelines and shipping conditions in **Shipping and returns**.\u003c\/p\u003e","brand":"Yago Partal Studio","offers":[{"title":"Black \/ 12″×12″","offer_id":57727731007813,"sku":"9410897_4653","price":68.0,"currency_code":"EUR","in_stock":true},{"title":"Black \/ 18″×18″","offer_id":57727731040581,"sku":"9410897_4656","price":89.0,"currency_code":"EUR","in_stock":true},{"title":"Red Oak \/ 12″×12″","offer_id":57727731073349,"sku":"9410897_15024","price":68.0,"currency_code":"EUR","in_stock":true},{"title":"Red Oak \/ 18″×18″","offer_id":57727731106117,"sku":"9410897_15030","price":89.0,"currency_code":"EUR","in_stock":true},{"title":"White \/ 12″×12″","offer_id":57727731138885,"sku":"9410897_10756","price":68.0,"currency_code":"EUR","in_stock":true},{"title":"White \/ 18″×18″","offer_id":57727731171653,"sku":"9410897_10759","price":89.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1052\/7830\/8677\/files\/fernando_ak-frame-000.webp?v=1776698556"},{"product_id":"yeray-canario-atlantico-poster-enmarcado-listo-para-colgar","title":"Yeray · Atlantic canary · Framed poster","description":"\u003cdiv class=\"product-short-desc\"\u003e\u003cp\u003eA framed poster with Yeray, the Atlantic canary. Ready to hang, designed for interiors where you want light and order without rigidity.\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- LONG_DESC --\u003e\n\u003cp\u003eThis framed Yeray poster is built for real life: take it out of the box, pick a wall, and hang it. The portrait has a clean background and a soft light that works well indoors; the frame finishes it into a proper \"piece\" without you having to figure anything else out.\u003c\/p\u003e\n\u003cp\u003eYeray, the Atlantic canary, works with sound and archive in La Laguna. His way of being in the world is fairly practical: turn down the volume, open a window, leave things ready so the next step is easy. That's why the framed format suits him — less friction, more use.\u003c\/p\u003e\n\u003cp\u003e## Where it works best (and why)\nIf you have a workspace or a living room where screens, books, and objects coexist, a framed portrait helps organize the whole. The character's color is intense — bright yellow — but the neutral background and understated expression keep it from taking over the room. It's the kind of piece that reads from a distance and, when you get close, lets you rest on the details of the knit sweater.\u003c\/p\u003e\n\u003cp\u003eThere's something very La Laguna about this choice: interiors with changing light and walls that aren't always built for a large work. A properly mounted frame saves you from improvising with clips or tape, and keeps the poster protected if you move it.\u003c\/p\u003e\n\u003cp\u003e**Question:** What if I don't want to drill holes?  \n**Answer:** That depends on your wall and the hanging system. The technical part (how it comes mounted and what options there are) is in the **Frame and mounting** tab. You can decide with real data.\u003c\/p\u003e\n\u003cp\u003e## What's worth checking before you buy\nThis product has four points where it's better to check the tabs:\u003c\/p\u003e\n\u003cp\u003e- **Paper and finish**: to understand the paper type and poster finish.  \n- **Frame and mounting**: to see frame materials, how it's presented, and what the mounting includes.  \n- **Print sizes**: to choose the scale for your wall and viewing distance.  \n- **Shipping and returns**: for timelines and conditions.\u003c\/p\u003e\n\u003cp\u003eIn practice, the framed version has one clear advantage if you share a home or studio: it eliminates small disagreements. No \"I'll frame it eventually,\" no \"I still need to buy a frame,\" no tube leaning against the wall for months. You hang it and you're done.\u003c\/p\u003e\n\u003cp\u003eIn the portrait, Yeray looks straight at you, no forced smile. That neutrality makes it work in different spaces: entryway, studio, bedroom. If the space is very calm, the color brings life. If the space already has a lot going on, the frame gives it a boundary and keeps it from getting lost.\u003c\/p\u003e\n\u003cp\u003eAnd if you're interested in the full story — his ethic of recording with consent, his morning routine, the people around him — you can read it in the [Yeray biography](https:\/\/www.yagopartal.com\/animal-kinhood\/yeray\/).\u003c\/p\u003e","brand":"Yago Partal Studio","offers":[{"title":"Black \/ 12″×12″","offer_id":57727769903429,"sku":"3788134_4653","price":68.0,"currency_code":"EUR","in_stock":true},{"title":"Black \/ 18″×18″","offer_id":57727769936197,"sku":"3788134_4656","price":89.0,"currency_code":"EUR","in_stock":true},{"title":"Red Oak \/ 12″×12″","offer_id":57727769968965,"sku":"3788134_15024","price":68.0,"currency_code":"EUR","in_stock":true},{"title":"Red Oak \/ 18″×18″","offer_id":57727770001733,"sku":"3788134_15030","price":89.0,"currency_code":"EUR","in_stock":true},{"title":"White \/ 12″×12″","offer_id":57727770034501,"sku":"3788134_10756","price":68.0,"currency_code":"EUR","in_stock":true},{"title":"White \/ 18″×18″","offer_id":57727770067269,"sku":"3788134_10759","price":89.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1052\/7830\/8677\/files\/yeray_ak-frame-000.webp?v=1776697361"}],"url":"https:\/\/checkout.yagopartal.com\/collections\/impresiones-con-marco.oembed","provider":"Yago Partal · Studio","version":"1.0","type":"link"}